For Real / Love promises to be the hot release of 2007. Solid beats, driving bass, and atmospheric textures define this two track 45RPM 12″. For Real begins with a simple beat; swelling into an esoteric dreamworld that eventually drops into a bass heavy rhythm. After rattling your chest with deep bass tones; the esoteric world is quickly reintroduced and then taken away as you are dropped deeper into the sub-levels of bass. Love is a twist into the darker side of dubstep. Swishing noise and female vocals introduce you to the heavy bass and creeping rhythm. As the beat drops you are cornered by thick growling bass, desperate strings, and an echoed vocal hook. This track is destined to become a 2007 dubstep anthem.

After trashing dancefloors and soundsystems worldwide with extreme jungalist breakcore, Mathhead dives into the realms of dubstep/slowstep with his 12″ Dirty Deeds. Dirty Deeds is filled with dark dubs, aggressive rhythms, and gritty synths that will further define the genre of dubstep in the United States and beyond. This 4 track 12″ brings you a flavor of the New York City dub scene that is surely not to disappoint. ?South Bronx? opens up the 12″ with deep swelling bass, atmospheric hits, and mechanical buzzing that will grind your body into submission. The steady rhythm pushes you farther into the dark alleys where dub and tech step intersect. ?Bullets of Your Sound (Remix)? mashes up the sounds of Drop the Lime and Mad EP. Slowly building with acid basses and blips, this track breaks out with vocals and skittery drums. Flip it to side B and the distortion of ?Parasites? will have you shaking and dropping to the floor. This Roughneck anthem winds up into a mess of dark bass and swelling metallic hits. Finishing out the 12″ is ?Dream Tigers? which starts out smooth on the down low but soon opens up into an all out dub war assault. Shattering amens, sirens, and squelchy acid drops set the mood for annihilation.

Terminal Dusk Records is proud to present the sounds of Manasyt?s Detroit electro-industrial hybrid LP, Filthdonor. Extensive production, attention to detail, and dark undertones define the other worldly realm Manasyt creates. Witness the brilliance of Petar Tassev with nine carefully chosen tracks of razor-sharp electro.

Six tracks of intricately intertwined melodies and drill'n'bass percussion. Smashing.

Half bull, half man, Not Breathing's Dave Wright may be the most fearsome monster of southwestern electronica. His acid is sharp as knives, his great beats could kick the life out the strongest of heroes, and his food is human flesh. Wright lives in Tucson, the great maze of winding passages on the island of Arizona. Each year seven youths and seven maidens are sent from Goth clubs as food for the beast. Terminal Dusk Records presents the Minotaur EP - the latest in Not Breathing's long and complex discography. Featuring collaborations with Meat Beat Manifesto's Jack Dangers and Metrognome's Karl White. Dave manages production from the very beginning to the end, from circuit bending and handcrafting his own electronic hardware to manipulate his army of music machines and create bizarre yet astounding tunes. A very personal WAR on sound. The whinnying horse dragged through the modular synths and farfisa organ of ''He Who Walks Beside You'' begins your decent into Wright's peculiar satanic style. ''Nixiemilf'' features Jack Dangers and his epic Synthi100 with a wall of vocoders fighting off Wright's pounding rhythms, barbiturates and melancholy. "Seroquel" presents a view into bi-polar mania through complex percussion, ferret pussy & wavetable synthesis . ''Ontime'' is pure un-cut Black Freestyle - mixing Wright's roots in 80s Freestyle with the painful complex disco stutterings of Karl White. ''Mechanized Minotaur Rapist'' is a pounding maze of gameboys and drum n bass scattershot threatening to stuff donkey kong into a giant festeringblowhole. Minotaur EP ends with something that will remain in your mind for a long time, ''Beam Deflector'', a result of a helpless 606 drumachine abused though boiling hot vacuum tubes stretching and ripping it in ways we guarantee you have never heard, nor danced to.

Direct from Portsmouth, Chris Reeves, AKA The Gasman delivers his first vinyl release and a look at some of his more abstract precision breaks. Chris provides a post modern look at the hard acid rave styles of the past with the usual Gasman twist. Spastic drums, deep acid squelches, and fractured melodies show this record to be a must have for fans of previously released Gasman material. Starting off the record, The Gasman drops an old school rave anthem with this title track. Synths and skittering drums are reminiscent of early 90\'s parties. Moving away from the dark club scene and into the clouds, The Gasman Uses playful melodies, floating synths and eerie undertones as his structure. Alongside the melodies the fast and hectic breaks continue to move the track upwards and onwards. Dipping back into the blotter vile with a heavy dose of 303 squelches, acidophilus speeds up the tempo and bends the traditions acid techno. Filling the air with chopped breaks and a steady rhythm make this track a definite dance floor scorcher. Upping the tempo even further with another soon to be rave classic, Nexium brings together a rave lead and some idm glitchery. Breaking the barrier between rave and breakbeats The Gasman delivers masterfully. A Soothing wash of atmospheres coupled with edgy breaks push this track into a drifting soundscape. Yut 1 claims you the winner on this blip-game epic. Closing the 12\" off is another acid tweaker. It will Move you thru tightly cut speedbreaks and blips into a nightmare filled with caustic acid. As the trip winds down The Gasman fades into a realm of tranquility brimming with symphonic and ambient washes.

Tracklisting 01: Wisp: Laptop Vagabond remix 02: Ochre: GITD Trea Cylm remix 03: Enduser: Membrane remix 04: Multiplex: Migrate & Molt remix 05: Line 47: Thousand Year Descent (into ruffness) 06: Doofgoblin: Yr Brooding Distortion remix 07: The Gasman: Prankton remix 08: Rusuden: Day Breaks remix Formulae Remixes begins with Wisp, who was the winner of a remix contest held a year ago by Sonicterror Recordings giving the artist the first track on the remix CD. Wisp definitely delivers with an up-tempo driller filled with floating chimes and deep grooves. Expect more great tracks like this from Wisp in the future on Terminal Dusk (TD004 : Building Dragons 12). Ochre switches it up with something more soothing. Atmospheric blips and bleeps stand out with light accenting percussion and a solid rhythm throughout the GITD Trea Cylm remix. Mashup junglist, Enduser, shows a bit of a softer side with Membrane remix. Female vocals, echoed piano and quick cut breaks build as this track unfolds. Multiplex reworks Migrate & Molt, maintaining the peaceful theme of a voyage in transit. This soft and serene world surrounds you with rich pads and memorable, spirited melodies. Line 47 stirs up the place with his ragga-jungle track, Thousand Year Descent (into ruffness). This track is filled with splintered breaks, deep bass, ragga MC accents, and siren synths. This track is sure to become a great ragga dance floor anthem. Doofgoblin keeps his remix style true with Yr Brooding Distortion remix. Twisting and Bending every original sound, Doofgoblin gives us a complete rinsing with his DSP mutations while still keeping the rhythm. The Gasmans Prankton remix has a free jazz feel with skittery drums and acidy/bubbly synths. The feeling is very chaotic and composed at the same time. A must have for fans of the Gasman. Also lookout for The Gasman to deliver his first ever vinyl release on Terminal Dusk (TD005 : Hardline 12). Lastly, Rusuden takes us back to the days of acid with Day Breaks remix. Driving electro beats and squelching acid combined with vocal accents and superb production. Rusuden gives hope that acid is not dead but it has just been asleep for a while.

Crimson introduces your ears to many different styles of eclectic electronic music ranging from broken gabber hits and ragga drill breaks to melodic atmospheres and dirty basslines. The journey into Crimson begins with Doormouse grabbing your attention with his juxtaposition of cartoon samples and rugged live drums and twisting them into a hip-hop reggae mashup. EmotionalJoystick follows with a happy techno ditty filled with intricate melodies and classic techno sounds. Jonas the plugexpert keeps the flow and changes it up a bit with some mild ragga-jungle. Eight Frozen Modules gives a lesson in electro with some downtempo madness. Chevron brings some mutated atmospheres that transform into spastic amen breaks and floating synths. Mixing it up, Duran Duran Duran pushes you into the pit with his punishing gabber stylings. While you?re in the pit Soundmurderer crushes you with his frantic amen breaks and deep bass tones. For the second half of the disc Wisp takes you to the next level with precision drilling snares and drifting melodies. Rusuden follows with eastern influenced deep groove and haunting soundscapes. Exillon creates a somber atmosphere with scattered rhythm programming and eerie echoed synths. Line 47 pushes further into the realms of dark drills and symphonic movements with his track. Next up is Shitmat, who delivers some screaming ragga-breaks filled with distorted gabber hits. Ill Cosby continues to bash the sound system with an in your face jungle elimination. Enduser defines dark breaks with a solid jungle track. Not Breathing brings us the next track which has an electro feel with some pounding rhythms. Pale finishes off the compilation with mind bending scattered breaks and sinister atmospheres.

Tracklisting A1. Shitmat: Soundclash@Myhouse A2. Line 47: Field Stencils A3. Exillon: Tguk B1. Eight Frozen Modules: Left Me B2. Chevron Why did you have to go and Spoil Everything? B3. Soundmurderer: Mindkiller The 12? version of Crimson introduces your ears to many different styles of eclectic electronic music bringing you a select sampling of those artists appearing on the CD version. The journey into Crimson begins with Shitmat, who delivers some screaming ragga-breaks filled with distorted gabber hits. Line 47 pushes further into the realms of dark drills and symphonic movements with his track. Exillon creates a somber atmosphere with scattered rhythm programming and eerie echoed synths. Side B begins with Eight Frozen Modules giving a lesson in electro with some downtempo madness. Chevron brings some mutated atmospheres that transform into spastic amen breaks and floating synths. While you?re in the pit Soundmurderer crushes you with his frantic amen breaks and deep bass tones.