Bombardiers track Syn is remixed to great effect and with wide variety by Eye-D, CDatakill, Christoph de Babalon, Adjust! Eye-D presents us with the hardest and heaviest drum'n'bass cut he has put out so far; CDatakill takes a more anarchic approach, de Babalon makes a welcome return to vinyl with a breakbeat track with hints of rave, while label maestro Adjust slows down the speed to a grinding burner, and completes this strong return for Detroit's Low Res label.

Inspired by the addition of several Electro Harmonix analog pedals to the studio, the music on VII is the result of several weeks of studio jam sessions with the Novavation BassStation and Roland R8. The release is filled with eerie and hallucingenic electronic sounds in a continous flow of 7 tracks, each an aural exploration of a Deadly Sin. For the production of the disc, D13 and Low Res Records joined up with our midwest partner-in-crime, Matt Demmon of Eupholus Records, to create the first joint release between the 3 labels. The label art is a fusion of old and new, the front cover depicting stone figures from a 1994 illustration called "Quit", textured with foil imaging. The back cover is a recent illustration entitled "Adrenaline" made in 2003. The mood of the artwork was inspired by the Art Noveua revival on 1960's halluncinogenic rock covers and posters. All the artwork was done by Jason Snell.

Dark ambient soundscape, grinding industrial, blistering speedcore, all fluidly mixed with aggressive live vocals. Bombardier's live show is one of the most intense in the hardcore scene. Here's a recording.

Two track 7" with nicely printed packaging. One side is a classic industrial-punk hardcore cut from bombardier with pounding distorted drums and clipped vocals. The flip is a more minimal number for bombardier, recalling older drop-bass sounds in a slower d+b mode.

Vinyl debut from bombardier, 4 tracks ranging from soaring dark ambience, pink-floyd sampling, languishing jungle, slow-building industrial breakbeat, and noise-punk hardcore. Some of his classics.

Chunky, industrial, post-jungle, dark hardcore, atmospheric noise that sounds like nothing else - this is pretty much a best of bombardier selection that moves like a live set from terrifying sound beds to power-noisy industrial, icorous drum and noise workouts, to more straight speedcore torture, and out into blasphemous dark ambience. If you liked him live or his vinyl comm cd violence, this is more of the same

Harsh, chunky, and dark industrial breaks, newer stuff from the bombardier production complex.